Richest Celebrities

Wes Anderson Net Worth

Wes Anderson Net Worth is
$30 Million

Wes Anderson Bio/Wiki 2018

Nevertheless, there are a few other sources which may have said that Wes Anderson’s net worth is not high now, as it reaches half than that $30 million dollars. He’s become renowned as a manager of movies, although he’s also a producer and screenwriter. Therefore, these careers of him made his name well-known and additionally added up to the entire amount of Wes Anderson net worth. The Texas produced director grew to fame and popularity when his film “Bottle Rocket” was launched and broadly accepted by film audience and critics alike in 1996. He also got prominence in making and directing commercial spots to get a well-known telephone company (AT&T) and business establishments. He’s also famous for making short films and fascinating feature film documentaries.

Wes Anderson Net Worth $30 Million

In 1996 he worked on the movie called “Bottle Rocket”, which made him successful and understood by the crowds and critics. Afterwards, he continued his work on movies together with his creations of “The Royal Tenenbaums”, “Rushmore” and many more. Working on these pictures has also added up to the entire sum of Wes Anderson net worth. Along with focusing on movies, Wes Anderson has additionally worked as a manager of some ads, including American Express and AT&T. When they graduated from school both of them worked closely in the film business. Wes Anderson directed and Owen Wilson wrote the movie called “Bottle Rocket”.

In addition, the pair worked on another successful movie called “The Royal Tenenbaums”, that was released in 2001 and where Gwyneth Paltrow appeared. Working on these pictures made their names more known in this business as well as raised the total size of Wes Anderson net worth. Wes Anderson is generally compared to Woody Allen. Nevertheless, Wes Anderson has created his own distinctive style of filmmaking, where he included dry humor and moving portrayals of flawed characters. These pictures also added up to the absolute size of his net worth. His work was recognized at the same time as he’s received some Academy Award nominations. He’s also considered as among the very gifted film makers of today’s cinema world. Anderson became interested in film making at quite a young age. Anderson trained himself early on how to make super 8 movies and started his passion and talent for writing by making script to get a play. Anderson followed up his successful career with success movies for example “Rushmore”, “The Royal Tenenbaums” as well as the animated feature film called “The Fantastic Mr. Fox”. The 6 feet tall Anderson has a distinct style in movie directing that’s earned a fantastic cult following and consistently winds up his movie with slow motion shots.



Net Worth$30 Million
Date Of BirthMay 1, 1969
Place Of BirthHouston, Texas, USA
Height1.85 m
ProfessionActor, Film director, Producer, Screenwriter
EducationWestchester High School St. John's School, University of Texas at Austin
NationalityAmerican
ParentsTexas Anderson, Melver Anderson
SiblingsEric Chase Anderson, Mel Anderson
NicknamesWesley Wales Anderson , Wesley Wales "Wes" Anderson
AwardsMTV Movie Award, Lone Star Film & Television Award (1996); Los Angeles Film Critics Association Award (1998), National Society of Film Critics Award (1999);New York Film Critics Circle Award (2001);Venice International Film Festival Award (2007);Annie Award, San Diego Film Critics Society Award (201...
NominationsBest Director Academy Award for "The Grand Budapest Hotel" (2014), Academy Award (2009)
Movies“The Royal Tenenbaums” (2001), “The Grand Budapest Hotel” (2014), Softbank (2008), Rushmore (1998), The Darjeeling Limited (2007), She's Funny That Way (2015), “Bottle Rocket” (1996)
#Trademark
1Features many precisely centered, straight-on shots
2Shots of the characters standing still and facing toward the screen with little to no emotion.
3Quirky themes of white middle-class and upper-class issues
4Characters who are heavy on body language
5Unique ways of introducing a large cast of characters
6A character giving a complex, lengthy explanation for humor
7The titlecards are almost always in the font Futura Bold, most commonly in yellow color.
8Often includes songs by The Rolling Stones on the soundtracks of his films
9At least one of his characters is usually a grown man seeking the approval of a parent or parent figure.
10Movies often focus around a broken or unorthodox family circle
11Frequently uses a take/double take technique where he will show a character/action, quickly pan to another character/action, then pan back, usually with handheld camera.
12Likes to shoot with extremely wide-angle anamorphic lenses that exhibit considerable barrel distortion.
13Frequently casts Owen Wilson, Luke Wilson, Jason Schwartzman, Andrew Wilson, Bill Murray, Kumar Pallana, Dipak Pallana, Brian Tenenbaum, Stephen Dignan, Bob Balaban, Tilda Swinton, Edward Norton, and Anjelica Huston.
14Just about the entire score of all of his movies, with the exception of The Darjeeling Limited (2007) and The Grand Budapest Hotel (2014), were composed by Mark Mothersbaugh.
15Has ended all his movies with a slow-motion shot, with the exception of The Darjeeling Limited (2007).
16Makes obsessive and comedic use of rostrum camera insert shots, foregrounding the minutiae of books and other documents.
#Quote
1Horror is an area where if a filmmaker really wants to use all the tricks, the techniques to affect your emotions ... with the kind of movies I do, you're supposed to say 'is this part supposed to be funny, or is this part supposed to be sad?' Well, you say, 'I don't know. I'm not sure.' This is the way we wanted it. When you make a horror or a thriller, you say, 'You're supposed to be scared here. You're supposed to be relieved here. Here we're explaining something so you know the next part so you'll be more scared then.' I like the idea of the requirements and the obligations of working in a genre like that.
2[on casting Ralph Fiennes] I knew Ralph a little over the years, and a few summers ago I was at somebody's house and Ralph was there and he was planning to direct his first movie, Coriolanus (2011) a Shakespeare film. He had commissioned the script and he had made a kind of trailer to try and raise the money, and I asked him 'How would this scene be done in the movie? Like what you have here in the trailer?' And he actually played this scene for me to me on the couch and Ralph is a powerful actor and in the sofa setting it's extremely impressive. It was when I got up from the couch that I thought I really would like to work with Ralph. I was just very excited to work with him.[2015]
3[on his regular cinematographer Robert D. Yeoman] I loved Drugstore Cowboy (1989) which he had shot so I had asked to meet him. And also he had taken over the [second unit] shooting of To Live and Die in L.A. (1985) and I loved that movie and knew he was a part of that one too, so that was the reason why I was interested in him. He liked what we had planned to do; I could tell he was into it. Bob and I watch movies together, that's kind of our ritual, and this one we looked at Ernst Lubitsch movies: The Shop Around the Corner (1940) and Trouble in Paradise (1932) and his earlier musicals and then lots of other movies, '30s movies. We had other kinds of touchstones, things that we were probably taking things from, but that was the real core of it.[2015]
4[on plot] Plot has never been considered my strongest [asset]. The first one we did, Bottle Rocket (1996), we sort of had to shoot the beginning after we edited it together and realized we didn't have one. With this one, one of the things that comes from Stefan Zweig is the idea of most of his stories have that form of 'somebody meets someone who will eventually tell them him or her story,' and that's what the big thing is. That's a kind of classical 19th century storytelling mode. One of the movies we did, The Royal Tenenbaums (2001), we had a narrator and I liked doing that because my natural instinct's not to have the story make any sense or follow or flow are challenged by a character who really is the storyteller and sort of forces it to be a story. It simulates a story and in this one we have devices like that too.[2015]
5[on why he wanted to adapt Stefan Zweig's material] You know the first one I read was called "Beware of Pity" and I feel like I read the first page at the bookstore and was hooked. 20 pages into it I thought, 'I would like to adapt this book' and I really never [do that] with books I love, I don't think about making it into a movie. This one I did, and then I read lots more of his work and then eventually realized I like all of these and I'd sort of like to steal from all of them at once and make my own thing out of that. It's been a long time since I've had such an instant reaction to a writer's work in that particular way.[2015]
6I was interested in acting when I was a teenager. And I acted in plays and things like that. But it's not something I've ever wanted to do as an adult. I always wanted to write and direct. I'm lucky enough to be able to get some of these movies made. I went down this path, and I don't see any need to diverge from it.
7[on directing] Half the time, when somebody has an issue and is worried about something not working, they might be right, and half the time it's easier. But half the time, the thing everybody thought was going to be no sweat is impossible. And movies are always like that - at least the movies I work on. What you're doing is something you've never quite done before, and when you're doing that, nobody knows what's going to happen, and you learn in the course of time not to get too focused on what people think can't be done. Because usually you can do whatever you want. Instead, you have to encourage those people to use all their powers, because they're the experts. They have so much to bring to you, once you get them to provide it. But that's all part of managing a group. Something it just backfires, but most of the time it's fun.
8[on themes] I think, often, what ends up being important in a movie thematically, or what it ends up being really about, is usually not what you're focusing on. You're focusing on what a certain character is going to say, what this character wants from this other character, how they feel, and how she's going to express what she wants, and what's going to happen, you know? And as with everything else in life or writing or filmmaking, you don't really control what it means - my instinct is that I don't want to control it, because it's better if it just comes to life, in whatever way that can happen. And everything else, everything feels like it has to be created for one of these movies, so I'd rather have the meanings come out of the life of it, rather than wanting to demonstrate a certain theme, or communicate a certain theory.
9[on critics] It can be nice to read somebody just gushing. That certainly can make you feel, 'Oh, boy - I really got through to this person .' But often, even in a review where somebody's gushing, you're thinking, 'Oh, well, they think I did that on purpose,' and you know, maybe if they actually understood how that happened, they wouldn't like it as much. Plus, if you decide to really get into reading reviews, you have to know there's a possibility that you're gonna turn a corner and read a stunningly horrible review that is just gonna be a distraction for you. Really, what you want to do is get on to the next movie, and continue with whatever is next.
10I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
11Every time you do a take on a movie, you're not sure if it's going to succeed. Even if you have a great cast, like we had, every scene you're kind of waiting for the release. 'Oh, yes; it happened. We got it!' There's always the possibility that it's just not going to work.
12One of the things I enjoyed the most is just working as an actor.
13I will say that Edward Norton, who plays the scout master, would be a first-rate Eagle Scout. He's got all those techniques. If your plane crashes into the jungle somewhere, he would be the guy you would want to have with you.
14I usually set aside a lot of time in advance of a movie with important roles for kids to search, but when you have great ones, they can be a real ace in the hole.
15Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.
16When I see the first dailies on any movie, I usually feel that I had no idea how this combination of ingredients was going to mix together, what it was going to produce.
17My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.
18I love working with actors. That's what the set really is, for me. It's my time with the actors.
19Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.
20Kids are always open to anything. It's very rare that a kid isn't extremely eager to make you happy.
21On Fantastic Mr. Fox (2009), I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
22[on studying philosophy] I chose philosophy because it sounded like something I ought to be interested in. I didn't know anything about it, I didn't even know what it was talking about. What I really spent my time doing in those years was writing short stories. There were all sorts of interesting courses, but what I really wanted to do was make stories one way or another.
23I guess when I think about it, one of the things I like to dramatise, and what is sometimes funny, is someone coming unglued. I don't consider myself someone who is making the argument that I support these choices. I just think it can be funny.
24Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie or something. Just wandering the city is entertainment.
25I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
26Anytime I make a movie, I really have absolutely no idea how it's going to go over. I've had the whole range of different kinds of reactions.
27I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
28Any romantic feelings for a 12-year-old are like entering into a fantasy world.
29When you're 11 or 12 years old, you can get so swept up in a book that you start to believe that the fantasy is reality. I think when you have a giant crush when you're in fifth grade, it becomes your whole world. It's like being underwater; everything is different.
30There's no story if there isn't some conflict. The memorable things are usually not how pulled together everybody is. I think everybody feels lonely and trapped sometimes. I would think it's more or less the norm.
31I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
32That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
33I wouldn't say that I'm particularly bothered or obsessed with detail.
34[on developing the historical backdrop of The Grand Budapest Hotel (2014)] I can't say that I have some new analysis of totalitarianism. I don't want to stay away from anything or steer away from anything or avoid anything. What we know, and the politics and meaning of all this stuff, ought to be in there.
35I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
#Fact
1Currently expecting his first child with partner, Juman Malouf (as of October, 2015).
2All of his films since The Royal Tenenbaums have featured a type of shot composition called "planimetric staging" which involves placing the camera at a 90 degree angle with the subject of the shot. This type of shot is one of the main reasons Anderson's films are said to have a unique visual style. Other directors who have used this technique include Buster Keaton, Jean-Luc Godard, Stanley Kubrick, and Yasujiro Ozu, although almost none have used at as frequently as Anderson has (almost every shot).
3Six of his films, Bottle Rocket (1996), Rushmore (1998), The Royal Tenenbaums (2001), The Life Aquatic with Steve Zissou (2004), The Darjeeling Limited (2007) and Fantastic Mr. Fox (2009) are in the Criterion Collection.
4His father is of Swedish and Norwegian descent, and his mother has English, Scots-Irish, and German ancestry.
5Many of his cast members have connections to The Godfather (1972). His first film, Bottle Rocket (1994), featured James Caan. Rushmore (1998) starred Jason Schwartzman, son of Talia Shire, and he has become a regular in Anderson's films. That film also featured numerous Godfather references. Roman Coppola, son of director Francis Ford Coppola and cousin to Schwartzman, has also co-written several of his films.
6Has an Italian song about him called "Wes Anderson" by I Cani. The music video is a tribute to the director and his movies.
7Rosemary's Baby (1968) is his favorite film.
8Wrote The Darjeeling Limited (2007) and Moonrise Kingdom (2012) with Roman Coppola. Coppola's cousin Jason Schwartzman co-wrote the former film, and appeared in both, as well as in Rushmore (1998).
9Wrote Bottle Rocket (1996), Rushmore (1998) and The Royal Tenenbaums (2001) with Owen Wilson, whose brother, Luke Wilson, appears in all three movies.
10While shooting The Life Aquatic with Steve Zissou (2004) the once pasty and bookish Anderson got a tan, grew his hair long, and got into better shape. His frequent star, Anjelica Huston, noted that Wes had suddenly become handsome.
11Martin Scorsese is a big fan of his movies, even choosing him as the next Martin Scorsese in an Esquire magazine article.
12Some of the character names in his movies, most notably in Rushmore (1998), were actually the names of his St. John's classmates.

Director

TitleYearStatusCharacter
Untitled Wes Anderson Project2018filming
The Grand Budapest Hotel2014
Castello Cavalcanti2013Short
Prada: Candy2013Short
Cousin Ben Troop Screening with Jason Schwartzman2012Short
Moonrise Kingdom2012
Fantastic Mr. Fox2009
Hotel Chevalier2007Short
The Darjeeling Limited2007
American Express: My Life. My Card.2004Video short
The Life Aquatic with Steve Zissou2004
The Royal Tenenbaums2001
Rushmore1998
Bottle Rocket1996
Bottle Rocket1994Short

Writer

TitleYearStatusCharacter
Untitled Wes Anderson Project2018filming
The Grand Budapest Hotel2014screenplay / story
Castello Cavalcanti2013Short
Cousin Ben Troop Screening with Jason Schwartzman2012Short
Moonrise Kingdom2012written by
Fantastic Mr. Fox2009screenplay
Hotel Chevalier2007Short written by
The Darjeeling Limited2007written by
The Life Aquatic with Steve Zissou2004written by
The Royal Tenenbaums2001written by
Rushmore1998written by
Bottle Rocket1996written by
Bottle Rocket1994Short screenplay

Producer

TitleYearStatusCharacter
Untitled Wes Anderson Project2018producer filming
She's Funny That Way2014executive producer
The Grand Budapest Hotel2014producer
Moonrise Kingdom2012producer
Fantastic Mr. Fox2009producer
The Darjeeling Limited2007producer
The Squid and the Whale2005producer
The Life Aquatic with Steve Zissou2004producer
The Royal Tenenbaums2001producer
Rushmore1998executive producer

Actor

TitleYearStatusCharacter
Fantastic Mr. Fox2009Weasel (voice)
American Express: My Life. My Card.2004Video shortWes Anderson
The Royal Tenenbaums2001Tennis Match Commentator #1 (voice, uncredited)

Soundtrack

TitleYearStatusCharacter
Fantastic Mr. Fox2009writer: "Petey's Song"

Thanks

TitleYearStatusCharacter
No Letting Go2015the producers wish to thank
Hollidaysburg2014special thanks
Infinitely Polar Bear2014special thanks
Young Ones2014special thanks
McCatherine2013thanks
The Last Anarchist2012Short thanks
Fitz2011Video short very special thanks
The Alumni Chapter2011special thanks
Conversation with James Ivory2010Video documentary short special thanks
The Mother of Invention2009thanks
Thefts2006Short special thanks
Lost in Translation2003thanks

Self

TitleYearStatusCharacter
Untitled Carlyle Documentary2017Documentary post-productionHimself
Hitchcock/Truffaut2015DocumentaryHimself
The 87th Annual Academy Awards2015TV SpecialHimself - Nominee: Best Original Screenplay / Best Director and Best Picture
72nd Golden Globe Awards2015TV SpecialHimself - Winner
Bandes originales: Alexandre Desplat2014TV Movie documentaryHimself
Janela Indiscreta2014TV SeriesHimself
One Day Since Yesterday: Peter Bogdanovich & the Lost American Film2014DocumentaryHimself
Charlie Rose1999-2014TV SeriesHimself - Guest / Himself - Guest Host
Film '722014TV SeriesHimself - Interviewee
Rencontres de cinéma2014TV SeriesHimself
Trespassing Bergman2013DocumentaryHimself - Interviewee
The 85th Annual Academy Awards2013TV SpecialHimself - Nominee: Best Original Screenplay
The 2013 Film Independent Spirit Awards2013TV SpecialHimself - Nominee
Cinema 32012TV SeriesHimself
Días de cine2012TV SeriesHimself
At the Movies2012TV SeriesHimself
Broadcast News: James L. Brooks - A Singular Voice2011Video shortHimself
Conversation with James Ivory2010Video documentary shortHimself
Made in Hollywood2009TV SeriesHimself
Seymour Cassel Hollywood Reporter Acting Achievment Tribute2009ShortHimself
Entertainment Tonight2007TV SeriesHimself
Shootout2007TV SeriesHimself
Reel Comedy2007TV SeriesHimself
Up Close with Carrie Keagan2007TV SeriesHimself - Guest
Marc Jacobs & Louis Vuitton2007TV Movie documentaryHimself - audience member
Imagine2006TV Series documentaryHimself
Matthew Gray Gubler's Life Aquatic Intern Journal2005Video documentary shortHimself
Mondo Monda2005Video shortHimself
This Is an Adventure2005Video documentaryHimself
Starz on the Set: The Life Aquatic with Steve Zissou2005TV Short documentaryHimself
With the Filmmaker: Portraits by Albert Maysles2001TV Series documentaryHimself
The Making of 'Rushmore'2000Video documentary shortHimself
1996 MTV Movie Awards1996TV SpecialHimself

Archive Footage

TitleYearStatusCharacter
Made in Hollywood2012TV SeriesHimself
Troldspejlet2010TV SeriesHimself - Director

Won Awards

YearAwardCeremonyNominationMovie
2015ALFS AwardLondon Critics Circle Film AwardsScreenwriter of the YearThe Grand Budapest Hotel (2014)
2015NSFC AwardNational Society of Film Critics Awards, USABest ScreenplayThe Grand Budapest Hotel (2014)
2015NCFCA AwardNorth Carolina Film Critics AssociationBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015Rosa de Sant Jordi Audience AwardSant Jordi AwardsBest Foreign Film (Mejor Película Extranjera)The Grand Budapest Hotel (2014)
2015TFCA AwardToronto Film Critics Association AwardsBest ScreenplayThe Grand Budapest Hotel (2014)
2015VFCC AwardVancouver Film Critics CircleBest ScreenplayThe Grand Budapest Hotel (2014)
2015WGA Award (Screen)Writers Guild of America, USABest Original ScreenplayThe Grand Budapest Hotel (2014)
2015BAFTA Film AwardBAFTA AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015Chlotrudis AwardChlotrudis AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015CCOPCríticos de Cinema Online Portugueses AwardsBest Film (Melhor Filme)The Grand Budapest Hotel (2014)
2015CCOPCríticos de Cinema Online Portugueses AwardsBest Director (Melhor Realizador)The Grand Budapest Hotel (2014)
2015Gold Derby AwardGold Derby AwardsOriginal ScreenplayThe Grand Budapest Hotel (2014)
2015INOCAInternational Online Cinema Awards (INOCA)Best DirectorThe Grand Budapest Hotel (2014)
2015INOCAInternational Online Cinema Awards (INOCA)Best Original ScreenplayThe Grand Budapest Hotel (2014)
2015IOMAItalian Online Movie Awards (IOMA)Best Original Screenplay (Miglior sceneggiatura originale)The Grand Budapest Hotel (2014)
2014LAFCA AwardLos Angeles Film Critics Association AwardsBest ScreenplayThe Grand Budapest Hotel (2014)
2014NYFCC AwardNew York Film Critics Circle AwardsBest ScreenplayThe Grand Budapest Hotel (2014)
2014OFCC AwardOklahoma Film Critics Circle AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014OFCS AwardOnline Film Critics Society AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014SEFCA AwardSoutheastern Film Critics Association AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014VVFP AwardVillage Voice Film PollBest ScreenplayThe Grand Budapest Hotel (2014)
2014Silver Berlin BearBerlin International Film FestivalGrand Jury PrizeThe Grand Budapest Hotel (2014)
2014CFCA AwardChicago Film Critics Association AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014DavidDavid di Donatello AwardsBest Foreign Film (Miglior Film Straniero)The Grand Budapest Hotel (2014)
2014FFCC AwardFlorida Film Critics Circle AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014IFJA AwardIndiana Film Journalists Association, USBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014ICP AwardIndiewire Critics' PollBest ScreenplayThe Grand Budapest Hotel (2014)
2014Halfway AwardInternational Online Cinema Awards (INOCA)Best Original ScreenplayThe Grand Budapest Hotel (2014)
2013OFTA Film AwardOnline Film & Television AssociationBest Writing, Screenplay Written Directly for the ScreenMoonrise Kingdom (2012)
2013OFCS AwardOnline Film Critics Society AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2013AFI AwardAFI Awards, USAMovie of the YearMoonrise Kingdom (2012)
2013COFCA AwardCentral Ohio Film Critics AssociationBest DirectorMoonrise Kingdom (2012)
2013COFCA AwardCentral Ohio Film Critics AssociationBest Original ScreenplayMoonrise Kingdom (2012)
2013Chlotrudis AwardChlotrudis AwardsBest DirectorMoonrise Kingdom (2012)
2013Chlotrudis AwardChlotrudis AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2013GFCA AwardGeorgia Film Critics Association (GFCA)Best Original ScreenplayMoonrise Kingdom (2012)
2013INOCAInternational Online Cinema Awards (INOCA)Best Original ScreenplayMoonrise Kingdom (2012)
2012OFCC AwardOklahoma Film Critics Circle AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012PFCS AwardPhoenix Film Critics Society AwardsBest Screenplay Written Directly for the ScreenMoonrise Kingdom (2012)
2012SEFCA AwardSoutheastern Film Critics Association AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012UFCA AwardUtah Film Critics Association AwardsBest DirectorMoonrise Kingdom (2012)
2012DFCS AwardDenver Film Critics SocietyBest Writing, Original ScreenplayMoonrise Kingdom (2012)
2012Gotham Independent Film AwardGotham AwardsBest FeatureMoonrise Kingdom (2012)
2010OFCS AwardOnline Film Critics Society AwardsBest Adapted ScreenplayFantastic Mr. Fox (2009)
2010Audience's AwardTitanic International Film FestivalFantastic Mr. Fox (2009)
2010CristalAnnecy International Animated Film FestivalBest FeatureFantastic Mr. Fox (2009)
2010Audience AwardAnnecy International Animated Film FestivalFeatureFantastic Mr. Fox (2009)
2010AnnieAnnie AwardsWriting in a Feature ProductionFantastic Mr. Fox (2009)
2010ICS AwardInternational Cinephile Society AwardsBest Adapted ScreenplayFantastic Mr. Fox (2009)
2009LAFCA AwardLos Angeles Film Critics Association AwardsBest AnimationFantastic Mr. Fox (2009)
2009Special Achievement AwardNational Board of Review, USAFantastic Mr. Fox (2009)
2009SDFCS AwardSan Diego Film Critics Society AwardsBest Screenplay, AdaptedFantastic Mr. Fox (2009)
2009SFFCC AwardSan Francisco Film Critics CircleBest Adapted ScreenplayFantastic Mr. Fox (2009)
2009UFCA AwardUtah Film Critics Association AwardsBest ScreenplayFantastic Mr. Fox (2009)
2009HFCS AwardHouston Film Critics Society AwardsBest Original SongFantastic Mr. Fox (2009)
2007NYFCO AwardNew York Film Critics, OnlineBest ScreenplayThe Darjeeling Limited (2007)
2007Visionary AwardStockholm Film Festival
2007Little Golden LionVenice Film FestivalThe Darjeeling Limited (2007)
1999Lone Star Film & Television AwardLone Star Film & Television AwardsBest DirectorRushmore (1998)
1999Lone Star Film & Television AwardLone Star Film & Television AwardsBest ScreenplayRushmore (1998)
1999Independent Spirit AwardIndependent Spirit AwardsBest DirectorRushmore (1998)
1998New Generation AwardLos Angeles Film Critics Association AwardsRushmore (1998)
1996Special AwardLone Star Film & Television AwardsDebut of the YearBottle Rocket (1996)
1996MTV Movie AwardMTV Movie AwardsBest New FilmmakerBottle Rocket (1996)

Nominated Awards

YearAwardCeremonyNominationMovie
2015ALFS AwardLondon Critics Circle Film AwardsDirector of the YearThe Grand Budapest Hotel (2014)
2015NCFCA AwardNorth Carolina Film Critics AssociationBest DirectorThe Grand Budapest Hotel (2014)
2015OFTA Film AwardOnline Film & Television AssociationBest DirectorThe Grand Budapest Hotel (2014)
2015OFTA Film AwardOnline Film & Television AssociationBest PictureThe Grand Budapest Hotel (2014)
2015PGA AwardPGA AwardsOutstanding Producer of Theatrical Motion PicturesThe Grand Budapest Hotel (2014)
2015RobertRobert FestivalBest American Film (Årets amerikanske film)The Grand Budapest Hotel (2014)
2015VFCC AwardVancouver Film Critics CircleBest DirectorThe Grand Budapest Hotel (2014)
2015OscarAcademy Awards, USABest Motion Picture of the YearThe Grand Budapest Hotel (2014)
2015OscarAcademy Awards, USABest Achievement in DirectingThe Grand Budapest Hotel (2014)
2015OscarAcademy Awards, USABest Writing, Original ScreenplayThe Grand Budapest Hotel (2014)
2015Golden GlobeGolden Globes, USABest Director - Motion PictureThe Grand Budapest Hotel (2014)
2015Golden GlobeGolden Globes, USABest Screenplay - Motion PictureThe Grand Budapest Hotel (2014)
2015David Lean Award for DirectionBAFTA AwardsThe Grand Budapest Hotel (2014)
2015BAFTA Film AwardBAFTA AwardsBest FilmThe Grand Budapest Hotel (2014)
2015Saturn AwardAcademy of Science Fiction, Fantasy & Horror Films, USABest WritingThe Grand Budapest Hotel (2014)
2015EDA AwardAlliance of Women Film JournalistsBest PictureThe Grand Budapest Hotel (2014)
2015EDA AwardAlliance of Women Film JournalistsBest DirectorThe Grand Budapest Hotel (2014)
2015EDA AwardAlliance of Women Film JournalistsBest Writing, Original ScreenplayThe Grand Budapest Hotel (2014)
2015AACTA International AwardAustralian Film InstituteBest DirectionThe Grand Budapest Hotel (2014)
2015AACTA International AwardAustralian Film InstituteBest ScreenplayThe Grand Budapest Hotel (2014)
2015Critics Choice AwardBroadcast Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2015Critics Choice AwardBroadcast Film Critics Association AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015Cinema Bloggers AwardCinema Bloggers Awards, PortugalBest Director - International CompetitionThe Grand Budapest Hotel (2014)
2015Cinema Bloggers AwardCinema Bloggers Awards, PortugalBest Screenplay - International CompetitionThe Grand Budapest Hotel (2014)
2015Cinema Brazil Grand PrizeCinema Brazil Grand PrizeBest Foreign-Language Film (Melhor Filme Estrangeiro)The Grand Budapest Hotel (2014)
2015CCOPCríticos de Cinema Online Portugueses AwardsBest Original Screenplay (Melhor Argumento Original)The Grand Budapest Hotel (2014)
2015CésarCésar Awards, FranceBest Foreign Film (Meilleur film étranger)The Grand Budapest Hotel (2014)
2015DGA AwardDirectors Guild of America, USAOutstanding Directorial Achievement in Feature FilmThe Grand Budapest Hotel (2014)
2015Dorian AwardGay and Lesbian Entertainment Critics Association (GALECA)Film Director of the YearThe Grand Budapest Hotel (2014)
2015GFCA AwardGeorgia Film Critics Association (GFCA)Best DirectorThe Grand Budapest Hotel (2014)
2015GFCA AwardGeorgia Film Critics Association (GFCA)Best Original ScreenplayThe Grand Budapest Hotel (2014)
2015Gold Derby AwardGold Derby AwardsMotion PictureThe Grand Budapest Hotel (2014)
2015Gold Derby AwardGold Derby AwardsDirectorThe Grand Budapest Hotel (2014)
2015HFCS AwardHouston Film Critics Society AwardsBest DirectorThe Grand Budapest Hotel (2014)
2015HFCS AwardHouston Film Critics Society AwardsBest ScreenplayThe Grand Budapest Hotel (2014)
2015IOFCP AwardInternational Online Film Critics' PollBest DirectorThe Grand Budapest Hotel (2014)
2015IOFCP AwardInternational Online Film Critics' PollBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015IOMAItalian Online Movie Awards (IOMA)Best Picture (Miglior film)The Grand Budapest Hotel (2014)
2015IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)The Grand Budapest Hotel (2014)
2014OFCS AwardOnline Film Critics Society AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014PCC AwardPhoenix Critics CircleBest DirectorThe Grand Budapest Hotel (2014)
2014PCC AwardPhoenix Critics CircleBest ScreenplayThe Grand Budapest Hotel (2014)
2014PFCS AwardPhoenix Film Critics Society AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014PFCS AwardPhoenix Film Critics Society AwardsBest Screenplay Written Directly for the ScreenThe Grand Budapest Hotel (2014)
2014SDFCS AwardSan Diego Film Critics Society AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014SDFCS AwardSan Diego Film Critics Society AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014SFFCC AwardSan Francisco Film Critics CircleBest DirectorThe Grand Budapest Hotel (2014)
2014SFFCC AwardSan Francisco Film Critics CircleBest Screenplay, OriginalThe Grand Budapest Hotel (2014)
2014Screenplay CompetitionScreenwriters Choice Awards, OnlineBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014SLFCA AwardSt. Louis Film Critics Association, USBest DirectorThe Grand Budapest Hotel (2014)
2014SLFCA AwardSt. Louis Film Critics Association, USBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014VVFP AwardVillage Voice Film PollBest DirectorThe Grand Budapest Hotel (2014)
2014WAFCA AwardWashington DC Area Film Critics Association AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014ACCAAwards Circuit Community AwardsBest Motion PictureThe Grand Budapest Hotel (2014)
2014ACCAAwards Circuit Community AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014Golden Berlin BearBerlin International Film FestivalThe Grand Budapest Hotel (2014)
2014CFCA AwardChicago Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014DFCS AwardDenver Film Critics SocietyBest Writing, Original ScreenplayThe Grand Budapest Hotel (2014)
2014DFCS AwardDetroit Film Critic Society, USBest DirectorThe Grand Budapest Hotel (2014)
2014DFCS AwardDetroit Film Critic Society, USBest ScreenplayThe Grand Budapest Hotel (2014)
2014Golden SchmoesGolden Schmoes AwardsBest Director of the YearThe Grand Budapest Hotel (2014)
2014Golden SchmoesGolden Schmoes AwardsBest Screenplay of the YearThe Grand Budapest Hotel (2014)
2014Gotham Independent Film AwardGotham AwardsBest FeatureThe Grand Budapest Hotel (2014)
2014Audience AwardGotham AwardsThe Grand Budapest Hotel (2014)
2013IOMAItalian Online Movie Awards (IOMA)Best Picture (Miglior film)Moonrise Kingdom (2012)
2013IOMAItalian Online Movie Awards (IOMA)Best Director (Miglior regia)Moonrise Kingdom (2012)
2013IOMAItalian Online Movie Awards (IOMA)Best Original Screenplay (Miglior sceneggiatura originale)Moonrise Kingdom (2012)
2013NCFCA AwardNorth Carolina Film Critics AssociationBest DirectorMoonrise Kingdom (2012)
2013NCFCA AwardNorth Carolina Film Critics AssociationBest Original ScreenplayMoonrise Kingdom (2012)
2013OFTA Film AwardOnline Film & Television AssociationBest PictureMoonrise Kingdom (2012)
2013OFCS AwardOnline Film Critics Society AwardsBest DirectorMoonrise Kingdom (2012)
2013PGA AwardPGA AwardsOutstanding Producer of Theatrical Motion PicturesMoonrise Kingdom (2012)
2013RobertRobert FestivalBest American Film (Årets amerikanske film)Moonrise Kingdom (2012)
2013WGA Award (Screen)Writers Guild of America, USABest Original ScreenplayMoonrise Kingdom (2012)
2013OscarAcademy Awards, USABest Writing, Original ScreenplayMoonrise Kingdom (2012)
2013BAFTA Film AwardBAFTA AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2013EDA AwardAlliance of Women Film JournalistsBest Writing, Original ScreenplayMoonrise Kingdom (2012)
2013BodilBodil AwardsBest American Film (Bedste amerikanske film)Moonrise Kingdom (2012)
2013Critics Choice AwardBroadcast Film Critics Association AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2013Gold Derby AwardGold Derby AwardsOriginal ScreenplayMoonrise Kingdom (2012)
2013GuldbaggeGuldbagge AwardsBest Foreign Film (Bästa utländska film)Moonrise Kingdom (2012)
2013Independent Spirit AwardIndependent Spirit AwardsBest FeatureMoonrise Kingdom (2012)
2013Independent Spirit AwardIndependent Spirit AwardsBest DirectorMoonrise Kingdom (2012)
2013Independent Spirit AwardIndependent Spirit AwardsBest ScreenplayMoonrise Kingdom (2012)
2013INOCAInternational Online Cinema Awards (INOCA)Best DirectorMoonrise Kingdom (2012)
2012Most Popular Feature FilmMelbourne International Film FestivalMoonrise Kingdom (2012)
2012SDFCS AwardSan Diego Film Critics Society AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012Satellite AwardSatellite AwardsBest Screenplay, OriginalMoonrise Kingdom (2012)
2012SLFCA AwardSt. Louis Film Critics Association, USBest DirectorMoonrise Kingdom (2012)
2012SLFCA AwardSt. Louis Film Critics Association, USBest Original ScreenplayMoonrise Kingdom (2012)
2012WAFCA AwardWashington DC Area Film Critics Association AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012Palme d'OrCannes Film FestivalMoonrise Kingdom (2012)
2012CFCA AwardChicago Film Critics Association AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorMoonrise Kingdom (2012)
2012ICP AwardIndiewire Critics' PollBest ScreenplayMoonrise Kingdom (2012)
2011IOMAItalian Online Movie Awards (IOMA)Best Animated Feature Film (Miglior film d'animazione)Fantastic Mr. Fox (2009)
2010OFTA Film AwardOnline Film & Television AssociationBest Animated PictureFantastic Mr. Fox (2009)
2010PGA AwardPGA AwardsOutstanding Producer of Animated Theatrical Motion PicturesFantastic Mr. Fox (2009)
2010OscarAcademy Awards, USABest Animated Feature Film of the YearFantastic Mr. Fox (2009)
2010BAFTA Film AwardBAFTA AwardsBest Animated FilmFantastic Mr. Fox (2009)
2010AnnieAnnie AwardsDirecting in a Feature ProductionFantastic Mr. Fox (2009)
2010Critics Choice AwardBroadcast Film Critics Association AwardsBest Screenplay, AdaptedFantastic Mr. Fox (2009)
2010Gold Derby AwardGold Derby AwardsAdapted ScreenplayFantastic Mr. Fox (2009)
2009SLFCA AwardSt. Louis Film Critics Association, USBest DirectorFantastic Mr. Fox (2009)
2009SLFCA AwardSt. Louis Film Critics Association, USBest Animated Feature FilmFantastic Mr. Fox (2009)
2009EDA AwardAlliance of Women Film JournalistsBest Animated Feature FilmFantastic Mr. Fox (2009)
2008BodilBodil AwardsBest American Film (Bedste amerikanske film)The Darjeeling Limited (2007)
2007Golden LionVenice Film FestivalThe Darjeeling Limited (2007)
2007Grand Prix AsturiasGijón International Film FestivalBest FeatureThe Darjeeling Limited (2007)
2006Independent Spirit AwardIndependent Spirit AwardsBest FeatureThe Squid and the Whale (2005)
2005Golden Satellite AwardSatellite AwardsBest Screenplay, OriginalThe Life Aquatic with Steve Zissou (2004)
2005Golden Berlin BearBerlin International Film FestivalThe Life Aquatic with Steve Zissou (2004)
2003BodilBodil AwardsBest American Film (Bedste amerikanske film)The Royal Tenenbaums (2001)
2003DVD Premiere AwardDVD Exclusive AwardsBest Audio Commentary, New ReleaseThe Royal Tenenbaums (2001)
2002Sierra AwardLas Vegas Film Critics Society AwardsBest ScreenplayThe Royal Tenenbaums (2001)
2002OFTA Film AwardOnline Film & Television AssociationBest Writing, Screenplay Written Directly for the ScreenThe Royal Tenenbaums (2001)
2002OFCS AwardOnline Film Critics Society AwardsBest Original ScreenplayThe Royal Tenenbaums (2001)
2002PFCS AwardPhoenix Film Critics Society AwardsBest Screenplay - OriginalThe Royal Tenenbaums (2001)
2002WGA Award (Screen)Writers Guild of America, USABest Screenplay Written Directly for the ScreenThe Royal Tenenbaums (2001)
2002OscarAcademy Awards, USABest Writing, Screenplay Written Directly for the ScreenThe Royal Tenenbaums (2001)
2002BAFTA Film AwardBAFTA AwardsBest Screenplay - OriginalThe Royal Tenenbaums (2001)
2002Golden Berlin BearBerlin International Film FestivalThe Royal Tenenbaums (2001)
2002CFCA AwardChicago Film Critics Association AwardsBest ScreenplayThe Royal Tenenbaums (2001)
2001TFCA AwardToronto Film Critics Association AwardsBest ScreenplayThe Royal Tenenbaums (2001)
2001ACCAAwards Circuit Community AwardsBest Original ScreenplayThe Royal Tenenbaums (2001)
2000Chlotrudis AwardChlotrudis AwardsBest ScreenplayRushmore (1998)

2nd Place Awards

YearAwardCeremonyNominationMovie
2015COFCA AwardCentral Ohio Film Critics AssociationBest DirectorThe Grand Budapest Hotel (2014)
2015COFCA AwardCentral Ohio Film Critics AssociationBest Original ScreenplayThe Grand Budapest Hotel (2014)
2015ICS AwardInternational Cinephile Society AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014LAFCA AwardLos Angeles Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014SEFCA AwardSoutheastern Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014ACCAAwards Circuit Community AwardsBest Original ScreenplayThe Grand Budapest Hotel (2014)
2014ICP AwardIndiewire Critics' PollBest DirectorThe Grand Budapest Hotel (2014)
2014Halfway AwardInternational Online Cinema Awards (INOCA)Best DirectorThe Grand Budapest Hotel (2014)
2013ICS AwardInternational Cinephile Society AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012NYFCC AwardNew York Film Critics Circle AwardsBest ScreenplayMoonrise Kingdom (2012)
2012ACCAAwards Circuit Community AwardsBest Original ScreenplayMoonrise Kingdom (2012)
2012BSFC AwardBoston Society of Film Critics AwardsBest ScreenplayMoonrise Kingdom (2012)
2010COFCA AwardCentral Ohio Film Critics AssociationBest Adapted ScreenplayFantastic Mr. Fox (2009)
2009NYFCC AwardNew York Film Critics Circle AwardsBest DirectorFantastic Mr. Fox (2009)
2009SEFCA AwardSoutheastern Film Critics Association AwardsBest Adapted ScreenplayFantastic Mr. Fox (2009)
2009IFJA AwardIndiana Film Journalists Association, USBest PictureFantastic Mr. Fox (2009)
2009IFJA AwardIndiana Film Journalists Association, USBest DirectorFantastic Mr. Fox (2009)
2001NYFCC AwardNew York Film Critics Circle AwardsBest ScreenplayThe Royal Tenenbaums (2001)

3rd Place Awards

YearAwardCeremonyNominationMovie
2015TFCA AwardToronto Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2014DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest DirectorThe Grand Budapest Hotel (2014)
2012VVFP AwardVillage Voice Film PollBest ScreenplayMoonrise Kingdom (2012)
2010NSFC AwardNational Society of Film Critics Awards, USABest DirectorFantastic Mr. Fox (2009)
2009ICP AwardIndiewire Critics' PollBest ScreenplayFantastic Mr. Fox (2009)
1999NSFC AwardNational Society of Film Critics Awards, USABest ScreenplayRushmore (1998)
1998NYFCC AwardNew York Film Critics Circle AwardsBest ScreenplayRushmore (1998)

Known for movies

Source
IMDB Wikipedia

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