Thieves Like Us Net Worth is
Thieves Like Us Bio/Wiki 2018
The darkly stylish electronic/post-punk threesome Thieves Like Us are named for the 1984 New Purchase song (instead of the 1974 Robert Altman film), plus they take a lot more than simply their moniker from Manchester’s darkly stylish electronic/post-punk pioneers. Their well-timed, ’80s-indebted approach offers garnered comparisons to varied dance-pop acts from the past due 2000s, including Sizzling Chip and Crystal Castles, but their mixture of gloom and glitter could be most carefully aesthetically aligned using the seedy electro-disco revisionists from the Italians GET IT DONE Better axis (Cup Candy, the Chromatics), organizations who employ the various tools and methods of dance music but appear interested in evoking hazily decadent atmospheres than uplifting actual dance. Swedes Pontus Berghe (drums) and Björn Berglund (keyboards) fulfilled the American Andy Grier (vocals) in Berlin’s Mauer Recreation area in 2002, as well as the trio started striking the nightlife collectively, a gang of unregistered expats fighting the vocabulary and culture of the international metropolis. Uninspired from the city’s techno-oriented golf club scene, they required matters to their personal hands by DJing collectively, and eventually beginning to produce their personal electronic music. Somewhat ironically, due to the fact their preferences tended toward the Teutonic – including vintage Krautrock and David Bowie and Iggy Pop (particularly, one imagines, the arty glam-punk of their Berlin intervals), furthermore to hip-hop, Manufacturing plant Records post-punk, and French contact home – they didn’t find favor with German clubgoers, plus they ultimately relocated to NEW YORK. Their first documenting, the ambivalently hedonistic, Daft Punk-influenced filter-disco phoning card “Medicines in my own Body,” produced the rounds for quite some time, seeing 12″ produces on two Swedish brands in 2005 and 2006 before cropping through to Paris’ tastemaking Kitsuné Music in 2007. That same season the trio self-issued an ambient/instrumental record, documented in Berlin and entitled Berlin, Alex, nonetheless it wasn’t until later 2008 that their proper debut full-length, the moody Play Music, made an appearance on Austria’s Seayou Information, with a UNITED STATES discharge on Shelflife in Apr 2009. The hold off was due partly towards the bandmembers surviving in different worldwide metropolitan areas for different intervals, but by 2009 that they had all arrived jointly in Paris. The music group was prolific for another couple of years, with travels and a smattering of produces, including many singles and 2010’s complete length OVER AND OVER. New label Captured Monitors re-released Berlin, Alex in 2011 as the band shifted account somewhat and done their fourth complete length and initial for their brand-new label. The group added vocalists Martine Duverglas and Anna De Marco aswell as drummer Dani Imhoff for the documenting of Bleed Bleed Bleed, a darker record less touched with the rampant electronica of previously efforts. The record premiered in springtime of 2012 and following performances were prepared to follow.