Richest Celebrities

Anne Sofie von Otter Net Worth

Anne Sofie von Otter Net Worth is
$1 Million

Anne Sofie von Otter Bio/Wiki 2018

Mezzo-soprano Anne Sofie von Otter is well known for her flexibility in operatic assignments, her interesting recital options, and her determination to consider vocal risks. Her dad was a Swedish diplomat whose profession took the family members to Bonn, London, and back again to Stockholm while Anne Sofie was developing up. Because of this, she obtained fluency in a number of languages. She examined music on the Guildhall College of Music and Dilemma in London. Her primary voice instructor was Vera Rozsa, while Erik Werba and Geoffrey Parsons coached her in lieder interpretation. She obtained a contract using the Basle Opera in 1983 and continued to be there until 1985, debuting as Alcina in Haydn’s Orlando Paladino. A high, statuesque girl, she took many male roles created for mezzo-sopranos (“trouser assignments”), including Cherubino in Mozart’s Relationship of Figaro, Hänsel in Humperdinck’s Hänsel und Gretel, Orpheus in Gluck’s Orfée et Eurydice, Octavian in Strauss’ Rosenkavalier, the Composer in Strauss’ Ariadne auf Naxos, as well as the title function of Rossini’s Tancredi. One reason behind the high proportion of Baroque- and Classical-era operas in her repertory can be an essential functioning relationship with conductor John Eliot Gardiner. She initial auditioned for him in 1985, but didn’t get that promotion then. It had been only using a subsequent opportunity for him to listen to her that he started dealing with her. She’s joined up with him in recordings of Beethoven’s Ninth Symphony; Mozart’s Clemenza di Tito, Idomeneo, and Requiem; Monteverdi’s La favola d’Orfeo and L’incoronazione di Poppea; Handel’s Agrippina and Jephtha; Gluck’s Orfée et Eurydice; and Bach’s Xmas Oratorio and St. Matthew Interest. He also executed von Otter’s documenting of Weill’s Seven Deadly Sins and chosen theater songs. Another major creative partner is pianist Bengt Forsberg, her recital partner and a respected scholar of song literature. Von Otter depends on him to recommend music and organize the applications of her recitals. With him, she’s tended to focus on lieder right from the start and end from the Intimate period, including well-received recordings of music by Schubert, Schumann, Brahms, Zemlinsky, Korngold, and Mahler aswell as the past due Intimate Nordic composers Grieg, Alfvén, Rangström, Stenhammar, and Sibelius. Additional recordings consist of Terezin/Theresienstadt, music from your concentration camp; Like Tunes by Brad Mehldau; and 2013’s Douce France. When she found record Weill’s Seven Deadly Sins, she used the initial version for high soprano, a variety she possesses, as opposed to the once-traditional mezzo-soprano version designed for Lotte Lenya past due for the reason that singer’s profession. Von Otter in addition has documented Alban Berg’s Seven Early Tunes, another strain for most high sopranos. Furthermore, she is not really averse to extending her tone of voice for dramatic impact. “I really believe in surprise results,” she once stated within an interview. Nevertheless, past the age group of 40 she experienced some particularly poor experiences due to both of these tendencies and, she admits, harm her voice. Because of this, she has made a decision to be “practical” and transpose down. She and her spouse, stage developer Benny Frederiksson, reside in Stockholm using their two children.


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